Daniel Pyne's Catalina Eddy deftly threads together three crime novellas, representing different styles and time periods.
In "The Big Empty," set in the 50s, a former spy turned L.A. private eye hunts the killer of his estranged wife; in "Losertown," a San Diego prosecutor in the 80s tries to catch a drug lord while fighting uphill against politics; and in "Portugese Bend," a contemporary thriller, a paralyzed cop and a crime scene photog unmask a police cover-up.
For fans of California-style noir, this is a pretty cool idea and a good read. The stories are connected by various threads, with children in one story being (often troubled) adults in a second, and the fates of characters in earlier stories sometimes casually revealed.
Although the politics are often painted in broad strokes, the storytelling remains interesting throughout.
I checked this out from the New Castle-Henry County Public Library in New Castle, Indiana.
In "The Big Empty," set in the 50s, a former spy turned L.A. private eye hunts the killer of his estranged wife; in "Losertown," a San Diego prosecutor in the 80s tries to catch a drug lord while fighting uphill against politics; and in "Portugese Bend," a contemporary thriller, a paralyzed cop and a crime scene photog unmask a police cover-up.
For fans of California-style noir, this is a pretty cool idea and a good read. The stories are connected by various threads, with children in one story being (often troubled) adults in a second, and the fates of characters in earlier stories sometimes casually revealed.
Although the politics are often painted in broad strokes, the storytelling remains interesting throughout.
I checked this out from the New Castle-Henry County Public Library in New Castle, Indiana.
No comments:
Post a Comment