Hollywood P.I. Johnny Slagle is asked to find out what happened when a studio's fading star allegedly hit and killed a young woman while drunk driving. Faced with a cover-up, Johnny quits the studio job and vows to bring the killer to justice, even as various forces converge against him, in Day Keene's Love Me and Die.
I have been a Day Keene fan since ever since I read Home is the Sailor, and I try to find the pulp writer's work wherever I can. I felt lucky to nab this from www.paperbackswap.com.
I learned later I got a better deal than I thought as this book is a bit rare, having been expanded by fellow pulpster Gil Brewer in an uncredited turn. Although I have not read anything from Brewster, I understand he is another genre writer who could use some rediscovering.
No matter what its origins, Love Me and Die is brisk and tough as Johnny plows through the sordid underbelly of Hollywood (as if there is any other kind) as the corpses stack up around him. He makes the enemy of studio bosses on down to underworld yeggs, and angers a few dames as well. A really enjoyable slice of noir with some go-go Hollywood mixed in.
Always up for Nerd Extreme Sports, this blog chronicles John Oak Dalton's attempt to read 50 books a year.
Showing posts with label Day Keene. Show all posts
Showing posts with label Day Keene. Show all posts
Friday, June 11, 2010
Wednesday, September 9, 2009
#37: To Kiss, Or Kill by Day Keene
A punch-drunk boxer from the mean streets of Chicago is fresh out of the asylum when he finds a dead blonde in his hotel in Day Keene's crackling noir To Kiss, or Kill. Soon steely cops, mouthy reporters, and bad women are all on his trail.
Dark humor and a relentless pace make this outing memorable. Keene also surprises with an upbeat ending, a rare sight to see in noir writing.
Day Keene is a current fave hardboiled writer that I only recently discovered (with Home is the Sailor being the launching point) and I am currently on the prowl for more of his work.
I snagged this one for 99 cents on my beloved Kindle.
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